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A code in the open case and they hear you before they walk off.
And it leads to your music on whatever platform, today and in two years.
On the poster, in the open case, on the merch. Each one with its own code and its own numbers.
To your music, on whichever platform the person scanning uses.
The calendar, which changes every week while the poster does not.
A form and the room picks. It works better than whoever shouts loudest.
What is not out yet, for whoever bothers to scan.
The form that leads to a gig, not to an "I will message you".
The shop, at the moment they have just watched you play.
With a plain code, March’s gig poster is rubbish by April. And if you change distributor, the code on the record leads to an empty profile.
And you never learn how many people used it, because it does not pass through anywhere that could count.
The code points at QRlify and QRlify points wherever you say. Change the destination whenever you like and whatever you printed still works.
And because every scan passes through here, it can be counted.
How many scans, and at which gig. That shows which room connects and which one is not worth going back to.
The day-by-day and per-campaign detail starts on the Starter plan. The scan count is on every plan.
Pick «Personal and professional» and then «Musician». That is enough for us to know what to offer, so you never choose between eighteen types of code.
Listen, dates, requests, unreleased, bookings or merch. Each one arrives with its field ready.
Two colours and, on a paid plan, your logo in the middle. Black on white also works, and scans just as well.
PNG or SVG, at whatever size you need. From then on, anything that changes you change from the dashboard.
A QR code leads to one place. A QCard is a page of yours with several buttons: Spotify, YouTube, the dates, the booking form and the merch.
You point a single code at that page and change the buttons whenever you like. The tour poster works for the next tour.
No credit card. Ready in thirty seconds.